![](https://www.actual.ac/wp-content/uploads/2022/05/ACTUALac136_View3_15_0323w.jpg)
"In 1963 SFAI selected architect Paffard Keatinge-Clay to design an addition to the original building that would double the amount of painting and sculpture studio space and provide room for large seminar classes, new galleries, and a café. Clay had previously worked with Le Corbusier, Frank Lloyd Wright, and Skidmore, Owings & Merrill. 'The building section Clay invented responds directly to the site to produce a sequence of architectural experiences unmatched elsewhere in this city of stunning sites and spaces,' wrote Roger Montgomery, former Dean of the College of Environmental Design at UC Berkeley, in a review from 1969, the year the building was completed. The north façade of the building is a concrete slab brise-soleil used as a structural element, and provides privacy while modulating the light of the painting studios." - from https://sfai.edu
The Bunker occupies two bays of brise-soleil in the lowest sub-basement level of the 1963 addition.
![](https://www.actual.ac/wp-content/uploads/2022/05/SFAI_PFKsketch_Bunkerhighlight_sqw.jpg)
![](https://www.actual.ac/wp-content/uploads/2015/05/136_SFAI_RobertBrandeis2_montage_w.jpg)
![](https://www.actual.ac/wp-content/uploads/2015/05/136_SFAI_RobertBrandeis1_montage_w.jpg)
Montages with photos by Robert Brandeis
![](https://www.actual.ac/wp-content/uploads/2022/05/ACTUALac136_View4_15_0323w.jpg)
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The steel-faced cabinetry integrates a permanent variation of our furniture line MOD’s AVA, a form that references the angled brise-soleil of Keatinge-Clay’s hippie-brutalist building. The slick, powder coated steel contrasts new plywood walls, painted Tectum panels, and original board-formed concrete.
![](https://www.actual.ac/wp-content/uploads/2022/05/ACTUALac136_PlanView_02-b_15_0323w.jpg)
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