The project takes advantage of the levitated state experienced while moving the original barn. The raised barn is transparent at its base so light can enter perimeter galleries at grade and reflect upwards off the light-gray concrete slab. This directly contrasts the light quality of the central white cube gallery where filtered and controllable natural light enters from above. The levitated barn is thus open to its surroundings, maintaining a direct connection between all interior gallery spaces and the surrounding native grass prairie.
Project Awards
2006 ACSA Faculty Design Award, Honorable Mention (version 1)
2004 AIA Nebraska Honor Award for Unbuilt Work (version 1)
Publications
“Post-Agricultural Speculations,” by Jeffrey L. Day, Bracket, On Farming, Actar Press, October 2010
Architectural Record, Design Vanguard 2009, by Mae Ryan, December 2009
Residential Architect, “A Matter of Fact”, by Meghan Drueding, August 2008
Omaha World Herald, “Shed your rigid ideas about ‘art’”, Dane Stickney, January 6 2008
“Drawing Lines on the Land,” REVIEW, Urban Stories of Place, Urban Planning & Architecture 2006, April 2006
“ART FARM | Red Barn Gallery,”by Jeffrey L. Day, Proceedings: 93rd ACSA Annual Meeting, Salt Lake City, March 2006
“Two Facts about Landscape in Architecture,”by Jeffrey L. Day, 306090 #7, September, 2004
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